Rebirth - Hilda

I was at an Ink and Spindle Open Day a couple of months ago and Teegs mentioned that she was given a table loom but she did not know how to use it. I said sure, come over and we can figure it out.

We had an initial inspection and decided on the parts that needed replacing. Teegs went to work, ordering new parts and refurbishing the loom.

Both of us are so excited that we needed to tell the world about the re-birth of Hilda and that Teegs is weaving! So this is a shared blog post:

Hilda is a portable 2 shaft/harness table loom, with a weaving width of just under 40cm. The 2 shafts/harnesses work by moving the handle on the top roller back and forth to create the shed. It was interesting to see that all the heddles were connected together, top and bottom. They were made of string with a metal eyelet in the middle. Unfortunately, they were very rusted and on the way to disintegration. The reed was 15 dent and also very rusted.

Teegs: Original, wonky, sad.

Teegs: The restoration & dismantling begins

Teegs replaced all the screws, the tying rods at the back and front beams, and the top and bottom timber bars supporting the heddles. She ordered a new 10 dent reed and Texslov heddles. The reed had to be cut down a fraction to fit within the frame of the beater.

Teegs: In pieces, hoping I'm as good
at puzzles as I'd like to think!

Teegs: Reconstructed, with a thick, fresh
coat of homemade beeswax & olive oil
timber conditioner for her very dry, thirsty wood.

Hilda was put back together again, in a much better condition! We just had to put the heddles back on with some adjustable Texslov loom cords.

Teegan: Hilda! Weaving!

The loom was made in Melbourne by Dyer and Phillips Pty Ltd. I did a brief search on the internet but there was not much information on the company. The address was in Flinders Lane, previously the centre of Melbourne's rag trade for the middle decades of the 20th century.

Teegs made a 7.2m long warp, 10 inches wide at 10epi, of Bendigo Classic 2 ply wool in black. We put the warp on front to back - sleyed the reed first, clamped to the table and then threaded the heddles. (Yes, I do work with a mix of metric and imperial measurements!)

The loom in action!

I had previously shown some of my Saori weaving to Teegs and she was quite interested in that. It has more of a focus on colours and textures, and is quite suited to a plain weave structure.

Weaving with a shuttle stick.

It took us from 11am to just before 6pm with a very short lunch in between to get to this stage. Teegs worked really hard all day and I just did a lot of talking.

Some tapestry techniques and fleece insertion.

Well done Teegs and Hilda! and all the best for your new adventure together. (Yes, Hilda is going sailing as well.) I cannot think of a more appropriate thing to do on a Easter Monday!

PS, I do wonder where did Hilda come from and what was woven on her before!?

April Spools Day 2013

Happy weaving!

White and plain

It has been hard to focus this year but craft camp at the end of February restored some faith and inspiration. It has taken nearly another month for me to get my act together and finally got a warp on the loom. It makes me feel restless when my looms are empty, without warps. It makes me feel like I am neglecting them. Do they have feelings? I don't know for sure. I think they feed off my state of mind, as to how they behave when I am weaving.

White cotton, plain weave. A bit of experimentation. Hopefully it will turn out to match what I have in mind, or not.........

Yabane

YABANE SCARF 矢羽 ya (arrow) hane->bane (feather) (jap.) - “fletchings, feathers of the arrow”

'Shaping of this scarf is inspired by the feathers of Hamaya - a “demon-breaking arrow”, a decorative arrow sold at shrines at New Year’s to ward off misfortune and to attract good luck. Pleated look of the scarf is actually based on Miura-ori style of origami that folds into a neat compact shape and opens into multi-dimensional textured accessory.'
quoted from Olga Buraya-Kefelian.

I met Olga on Skype through Sooz one day and she showed us her design of the Yabane scarf. I loved it and offered to test knit it for her. My most sincere apology as it is embarrassing to say that it had taken months for me to finish this project, despite the fact that it is a really simple pattern to knit. I have to admit that I am really SLOW knitter and always get stuck at the weaving in ends stage........However, the knitting part is completed, ends woven in and the piece blocked. Now I just have to wait till the weather turns cold to wear it.
I love the three-dimensional aspect of the structure and the simplicity of the design.

There was also the folded shibori/origami pattern that I came across at the workshop with Yoshiko Wada.

This book is also quite interesting. I have not tried anything from it yet, if only there are more hours in the day..........

What's more, it also reminded me of the 2-dimensional woven pattern that we  saw at the Nishijin Textile center. 

There was a display showing samples of the finished cloths.

woven samples

warp threads being prepared for dyeing

dyed warps

the 'warp shifting box'
warp threads being 'shifted' to create the arrow pattern

before

after

The pattern in the warp ready for putting onto the loom.
You can see some sort of bamboo reed to keep all the threads in place.

It is interesting to see how the pattern is formed to such precision.

Happy New Year (again)

I am lucky to get 2 New Year days. It is like having a grace period to get everything done. There had been a lot happening between the last blog post and this one. I call it the new year 'frantic panic' and it is about getting things done.
It will be is nice to start the new year with most things in order: a clean house, clean kitchen, clean laundry, as many finished projects as possible, completed tax return, stocked up fridge and pantry. In with the new and out with the old. It makes me feel like I am ready to face what is to come. I like these rituals and traditions. 

It is about family & friends, a very yummy dinner on new year's eve.......and new clothes, ready for tomorrow.

So again, happy new year, and good health!

Happy holiday season

Happy New Year, good health and best wishes for 2013!

Up for air

Thank you for weekends and public holidays, whoever invented them. It gives me time to catch my breath and to create.
A few weeks ago, I had a 5-day weekend and managed to get something on my loom. I have upgraded my 2 shafts (harnesses) Saori loom to 4 shafts. I did a lot of things that were new to me. I put the new hardware onto the loom (it now has 6 treadles). I wove with silk, in both warp and weft. I put my warp on to the loom from front to back. I was very satisfying knowing that I had enough time and did not have to rush! I enjoyed the process.
I used my new toy, the Saori cross box to keep my threads in order while I sleyed the reed.

I turned the reed setup around so that the chain of warp threads was at the front of the loom.

I threaded my heddles from the back of the loom and then wind the warp around the back beam.

I have never woven with a silk warp before and had some tension problems. There is almost no stretch in silk. Wool is a lot more forgiving. 

I started weaving and thought, this pattern does not look like what I had in mind. Maybe the variegated weft made it difficult to see the weave structure. There was a nagging feeling but I could not pin it down. Halfway through, I checked my tie up. I had done it correctly with the treadles but had forgotten to fix it to the same sequence at the shafts. Duh!
I liked the pattern though and decided to run with it........... 

I love the look and feel of the silk. I had enough warp for 2 pieces. The second one has a single solid colour weft and a straight forward twill weave structure. It looks and feel so different.

These are both Christmas presents so I will show images of the finished items next month.