One of the pre-conference talks was on the Slow Fiber studio, by Yoshiko Wada, and this was on the road when I came out of that talk. Slow does not just mean slow in time, but a considered and 'thoughtful approach to the making of things'. Some of the examples she gave were: Jurgen Lehl and Babaghuri, Sou Sou, Issey Miyake, and Christina Kim, etc. I am going to be 'slow' this year, not only with making but with other aspects of life. I have not quite figured out how to verbalise this but I think I know what to do........... For me, the time between the 1st January new year and Chinese new year is often a time for reflection. It feels like time in suspension. It is new and old year co-existing. It gives me more time to catch up, more time to get my thoughts together about the year ahead......... Happy new year to you!
I thoroughly enjoyed my first time at this event. The program was full of variety: contemporary, tradition, technology, processes, sustainability, and so much more. It was inspiring, intense and exhausting - both physically and mentally. I wanted to attend ALL the talks and demonstrations, but that was not possible. Needless to say there will be a slow drip feed of information as I process things in my brain and gradually sort out my photos and papers....... One of the speakers was Yoshiko Jinzenji. I am not a quilter but had fallen in love with her book published by Interweave.
I did not know much of her other work outside of this book. When she gave her talk, I thought that there was a sense of deja vu and quickly realised who she was. What a revelation! As I had also bought some fabric designed by her just before I left for Hong Kong. (from Patchwork on Central Park, her designs do not show up in the online store but is available in store)
One of her pieces at the exhibition was shibori dyed with bamboo! It gave this very subtle white on white pattern.
Who knows, quilting may be soon be on my list of things to do........
This is the last of the warp has been on the loom since 31 Dec 2010. It is a scarf length based on the samples that I have dyed.
There is still about half a meter of warp left and will weave them up as test pieces for different dyes.
It is strange to be weaving white on white and I won't really know the final outcome until the piece has been dyed, and untied to reveal the patterning. It is a bit like writing with invisible ink....
PS These images are taken with small file sizes directly from my camera, I have not figured out how to reduce file size on iphoto yet.....so apologies if they are crappy.
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